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Search resuls for: "Alex Haley"


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Gossett had already established himself as an actor of note onstage, and in television guest shots and small but memorable appearances on film (“The Landlord,” “Skin Game”) when he was cast in the ABC mini-series adaptation of Alex Haley’s best seller. He plays the key role of Fiddler, an older enslaved man who becomes a mentor to the central character, Kunta Kinte (LeVar Burton). Fiddler allows Gossett to display several of the gifts that would distinguish him throughout his career: an inherent dignity, a no-nonsense toughness and a (seemingly contradictory) warmth and humanity. The mini-series was a cultural sensation, breaking records for television viewership, and Gossett would win an Emmy for his unforgettable work.
Persons: Gossett, Alex Haley’s, Kunta, LeVar Burton Organizations: ABC
NEW YORK (AP) — One of the world’s largest and most influential publishers, Simon & Schuster, celebrates its 100th anniversary this year. The list tells many stories, through the books selected, not selected, and the evolution of what has been highlighted. “A group of Simon & Schuster staffers took on the daunting challenge of selecting 100 titles from our history that are believed to best represent the breadth and depth of the company’s publishing program, across imprints,” the publisher announced Wednesday. “That book actually had an influence on the course of events.”Like many leading publishers, Simon & Schuster began as an independently owned company and vastly expanded after the 1960s. Along the way, Simon & Schuster acquired numerous other publishers, whose books are now part of the S&S catalog and its centennial list.
Persons: Simon & Schuster, Simon, Gregory Hartswick, Prosper Buranelli, Margaret Petherbridge, Richard Simon, Max Schuster, , Schuster, Jonathan Karp, Sloan, veteran’s, Karp, , — Ralph Ellison, Maya Angelou, Richard Wright, Harper, James Baldwin, Alex Haley, Langston Hughes, Toni Morrison, ” Karp, Ntozake Shange’s, Jenny Han’s “, ” Carlos Eire’s “, ” Siddhartha Mukherjee's “, ” Jason Reynolds ’, Safiya, Wendy Sherwin, didn’t, John Irving, Bruce Springsteen’s, Doris Kearns Goodwin’s Pulitzer, Franklin, Eleanor Roosevelt, Abraham Lincoln, Barack Obama, Rivals ’, Barack Obama’s, Hillary Clinton, Scott Fitzgerald’s “, ” Ernest Hemingway’s “, Alan Paton’s “, Scribner, Judy Blume’s “, Margaret ”, Walter Isaacson’s “ Steve Jobs, Frederick Backman's, Ove, Dale Carnegie’s, Leon Shimkin, David McCullough's, Wright, Blume, Woodward Organizations: Simon &, New York, HarperCollins, Dial Press, Doubleday, Knopf, , Rivals, KKR, Win, Carnegie Locations: , Snow, Havana
For 18 hours on a rainy Sunday this Halloween weekend, the Metropolitan Opera House was visited by the ghost of Malcolm X. Words made famous by the Black nationalist leader and civil rights figure in his classic autobiography, dictated to Alex Haley and posthumously published in 1965, could be heard echoing throughout the soaring lobby of the Lincoln Center theater. It was a welcomed haunting, conjured by the Met in conjunction with a new production of Anthony Davis’s opera “X: The Life and Times of Malcolm X,” which premieres on Friday.
Persons: Malcolm X, Alex Haley, Anthony Davis’s Organizations: Metropolitan Opera House, Lincoln Center, Met
Martin Luther King Jr. and Malcolm X, long a contentious backdrop to the history of civil rights and anti-racist activism in America, is under new scrutiny after the bombshell news that a quote denigrating Malcolm X, published in Playboy and attributed to King, is apparently fraudulent. This new information adds to the ongoing rethinking of the relationship between King and Malcolm X. Of course, this is not to suggest that we stop teaching “The Autobiography of Malcolm X” since all memoir and autobiography is an act of literary creation. The complexity of his relationship to Malcolm X is handled judiciously. Balancing the bitter and beautiful parts of the relationship between King and Malcolm X helps us come to terms with past and contemporary historical traumas.
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